Framing

This section explains common framing terms artists and galleries may use when preparing artwork for art fairs, exhibitions, collectors, and professional presentation.

Good framing protects the artwork, improves the way it is seen, and helps collectors understand how the piece should be handled, displayed, shipped, and cared for over time.

Basic Framing Terms

Frame
A frame is the structure that surrounds and supports an artwork. It can protect the work, improve presentation, and help the piece feel complete. Artists should describe whether the frame is included, its condition, and whether it uses glass or plexiglass.

Mat
A mat is a paper-based border placed around artwork inside a frame. It gives the artwork visual breathing room and helps separate the surface from the glass or plexiglass. Artists and galleries should use acid-free or archival mats whenever possible.

Moulding / Molding
Moulding, also spelled molding, is the material used to build the frame around an artwork. It may be wood, metal, painted, gilded, simple, ornate, black, white, or natural. The moulding should support the artwork rather than distract from it.

Fillet
A fillet is a small decorative strip used inside a frame or mat opening. It can add depth, detail, color, or a finished edge to the presentation. A fillet should complement the artwork and should not touch or damage the artwork surface.

Glazing & Protection

Glass
Glass is a clear protective material used in framing, especially for works on paper, photographs, and delicate media. It helps protect the artwork from dust, handling, and environmental exposure. Artists should note whether the frame uses regular glass, conservation glass, or another protective glazing.

Plexiglass
Plexiglass is a clear acrylic material often used instead of glass in framing. It is lightweight and shatter-resistant, which makes it useful for shipping and art fair display. Some types offer UV protection, but plexiglass can scratch more easily than glass.

Backing Board
A backing board is placed behind an artwork inside a frame to provide support and protection. It helps keep the artwork flat and shields it from dust, pressure, and handling damage. For valuable works on paper, acid-free or archival backing is recommended.

Mounting & Structure

Floated
A floated artwork is mounted so the full sheet is visible inside the frame, often showing the paper edges. This style is especially attractive for works with deckle edges, handmade paper, or important margins. Proper archival hinging is important so the work is secure but not damaged.

Hinge Tape
Hinge tape is used to attach works on paper to a mat or backing board. Good hinging should hold the artwork safely while remaining reversible and archival. Poor tape can stain, tear, or permanently damage paper.

Sight Edge
The sight edge is the visible edge or perimeter of an artwork as seen inside the frame or mat. It is the part of the work that remains visible once the piece is framed. Artists should check that signatures, margins, plate marks, and important details are not hidden.

Edge Strip
An edge strip is a protective strip attached along the side or edge of a painting or framed artwork. It can help protect the surface, frame, or side of the work during handling, shipping, or display. At art fairs, edge protection can help reduce damage from movement and installation.

Mending Plate
A mending plate is a small plate, often metal, used to secure or repair part of a frame or support structure. It may help hold corners, reinforce weak areas, or stabilize a frame. Artists and galleries should inspect frames before a fair to make sure they are stable and safe for installation.

Tacking Margin / Tacking Edge
The tacking margin, or tacking edge, is the part of a canvas that wraps around the stretcher or strainer and is attached with tacks or staples. It is usually not visible from the front when the work is stretched or framed properly. This area can provide useful information about a painting’s construction, age, or condition.